Andre Breton
HOME
|
Andre Breton
Excerpts
Manifesto of Surrealism
(1924)
The first lines
So strong is the belief in life, in what is most fragile in life
— real life, I mean — that in the end this belief is lost. Man,
that inveterate dreamer, daily more discontent with his
destiny, has trouble assessing the objects he has been led
to use, objects that his nonchalance has brought his way,
or that he has earned through his own efforts, almost
always through his own efforts, for he has agreed to work,
at least he has not refused to try his luck (or what he calls
his luck!). At this point he feels extremely modest: he
knows what women he has had, what silly affairs he has
been involved in; he is unimpressed by his wealth or his
poverty, in this respect he is still a new-born babe and, as
for the approval of his conscience, I confess that he does
very nicely without it. If he still retains a certain lucidity,
all he can do is turn back toward his childhood which,
however his guides and mentors may have botched it, still
strikes him as somehow charming. There, the absence of
any known restrictions allows him the perspective of
several lives lived at once; this illusion becomes firmly
rooted within him; now he is only interested in the
fleeting, the extreme facility of everything.
Other excerpts
But it is true that we would not dare venture so far, it is
not merely a question of distance. Threat is piled upon
threat, one yields, abandons a portion of the terrain to be
conquered. This imagination which knows no bounds is
henceforth allowed to be exercised only in strict
accordance with the laws of an arbitrary utility; it is
incapable of assuming this inferior role for very long and,
in the vicinity of the twentieth year, generally prefers to
abandon man to his lusterless fate.
[…]
We are still living under the reign of logic: this, of course,
is what I have been driving at. But in this day and age
logical methods are applicable only to solving problems of
secondary interest. The absolute rationalism that is still in
vogue allows us to consider only facts relating directly to
our experience. Logical ends, on the contrary, escape us. It
is pointless to add that experience itself has found itself
increasingly circumscribed. It paces back and forth in a
cage from which it is more and more difficult to make it
emerge. It too leans for support on what is most
immediately expedient, and it is protected by the sentinels
of common sense.
[…]
If the depths of our mind contain within it strange forces
capable of augmenting those on the surface, or of waging a
victorious battle against them, there is every reason to
seize them - first to seize them, then, if need be, to submit
them to the control of our reason. The analysts themselves
have everything to gain by it. But it is worth noting that no
means has been designated a priori for carrying out this
undertaking, that until further notice it can be construed
to be the province of poets as well as scholars, and that its
success is not dependent upon the more or less capricious
paths that will be followed.
[…]
I have always been amazed at the way an ordinary
observer lends so much more credence and attaches so
much more importance to waking events than to those
occurring in dreams. It is because man, when he ceases to
sleep, is above all the plaything of his memory, and in its
normal state memory takes pleasure in weakly retracing
for him the circumstances of the dream, in stripping it of
any real importance, and in dismissing the only
determinant from the point where he thinks he has left it a
few hours before: this firm hope, this concern. He is under
the impression of continuing something that is
worthwhile. Thus the dream finds itself reduced to a mere
parenthesis, as is the night. And, like the night, dreams
generally contribute little to furthering our understanding.
This curious state of affairs seems to me to call for certain
reflections.
[…]
Surrealism will usher you into death, which is a secret
society. It will glove your hand, burying therein the
profound M with which the word Memory begins. Do not
forget to make proper arrangements for your last will and
testament: speaking personally, I ask that I be taken to the
cemetery in a moving van. May my friends destroy every
last copy of the printing of the Speech concerning the
Modicum of Reality.
[…]
Surrealism is a psychic automatism in its pure state, by
which one proposes to express — verbally, by means of the
written word, or in any other manner — the actual
functioning of thought. Dictated by the thought, in the
absence of any control exercised by reason, exempt from
any aesthetic or moral concern.
'Free Union', poem by André Breton
“My wife with the hair of a wood fire
|